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There is potential for the film to be marginally close to par with the novel. Mulligan also gives a strong portrayal of Daisy and her struggle to choose between Gatsby and her husband.
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He and Maguire enliven the unlikely relationship between Gatsby and Carraway with their occasional comic relief and intimate conversations. Few (if any) actors would be better suited as the suave, slightly obsessed Gatsby than DiCaprio. Luckily, the lead performances keep the plot comprehensible even when the camera is having a spaz attack. We can only see the green light so many times before its significance starts to fade. Likewise, the symbolisms that added such value to the novel do not translate as well on screen. Yet seeing them additionally written on the screen is distracting and unnecessary, no matter how artistic the font is. Carraway speaks Fitzgerald's words like poetry, which fans of the book will appreciate. The film was also keen to draw on, and overemphasize, some of the novel's best traits. Without the dialogue, it would appear no different from any other scene. Yet during the climactic standoff between Gatsby and Daisy's husband, the camera comes to a virtual standstill. The opening scenes fly by with exaggerated zooming and cutaways that disturb the flow of the script. Reminiscent of "Moulin Rouge," Luhrmann's excessive cuts put cinematic emphasis in all the wrong places. Unfortunately, the flawlessness stops with the visuals. And the parties are a flapper's dream, with the vibrant outfits and music for dancing (although the occasional rap songs seemed a bit out of place). The grand landscapes of New York City and Gatsby's estate look pristine. Servants open doors and move about the house like choreographed dancers.
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Hoping to live up to its hype, the movie tries to be as fantastic and flawless as Gatsby himself. Little does Carraway know that Gatsby acts this way in hopes of winning back Daisy's love despite five years of separation and her marriage to another man. There, he reconnects with his cousin, Daisy Buchanan (Carey Mulligan) and learns his next-door neighbor is none other than Jay Gatsby (Leonardo DiCaprio), the secretive millionaire known for his lavish parties and fantastical reputation. Using word-for-word passages from the novel, Carraway describes his move to New York to try his hand in the bond business. The adaptation is narrated by Nick Carraway (Tobey Maguire), who recounts his adventures on Long Island to a doctor while at a sanatorium. The result? Beautiful visuals, awkward editing and overblown symbolism. With this in mind, Luhrmann took the details that made the novel so successful and generously applied them to his film. To tamper with greatness could spell disaster for the film and disappoint fans. Scott Fitzgerald's novel is considered an American literary classic, a staple in high school English courses. Director Baz Luhrmann accepted this challenge when he signed on to direct a new theatrical take of "The Great Gatsby." F. There comes a time in a director's career when he or she may face one of the seemingly impossible cinematic feats: to make the movie better than the book.